ESSAYS ARE DUE MONDAY!!!! NO EXCEPTIONS!!!!
HAMLET ACT 5: Questions
1) What do you feel is the point of the gravedigger’s riddles and song? How does it fit into the play?
2) In what ways do Hamlet’s reactions to the skulls in the graveyard seem to suggest a change in his outlook? Compare Hamlet’s attitude towards Yoric to Hamlet’s attitude to Ophelia or even his father? How is it different? How is it similar?
3) How old is Hamlet? How do you know this?
4) What does the violent argument between Hamlet and Laertes add to the play?
5) What developments in Hamlet’s character are presented through the story of what happened on the boat? (V.ii 1-62). How has Hamlet changed?
6) How do Hamlet’s motives in killing Claudius seem to have shifted according to his speech beginning “Does it not, think thee…” (V.ii.63)
7) What concerns of the play are reinforced in the Osric episode? (V.ii.80-170)
8) Why does Hamlet ‘defy augury’? (V.ii.192)
9) What does Laertes say is his motive in still resenting Hamlet? How has already lost this? How does this contribute to the presentation of revenge in the play? (V.ii216-223)
10) How might the dying lines of Gertrude, Claudius and Laertes be viewed as typical of the way their characters have been presented throughout the play?
11) Who “wins” in Hamlet? How and why do you think this?
Monday, 5 March 2012
Friday, 24 February 2012
HOMEWORK ESSAYS
QUESTIONS TO DEVELOP THESIS STATEMENTS ABOUT AND ANSWER
1) Polonius is sometimes played as a senile old fool, sometimes as a shrewd and worldly old man. Which interpretation do you agree with and why?
2) Pick one character who could, at some point, have changed the whole chain of events. Discuss.
3) Analyze the three appearances of the ghost seen in the play. Where did he appear; to whom did he appear? How does the third appearance differ from the first two? What is the significance of this?
4) Discuss the reasons for Hamlet’s apparent delay in seeking revenge for his father. What is your opinion regarding his procrastination?
5) Compare and contrast Hamlet, Laertes, and Fortinbras as avengers.
6) What is Hamlet’s attitude towards life and people? How does it affect his actions?
7) Apply the following quote to Hamlet: “A man who wishes to make a profession of goodness in everything must necessarily come to grief among so many who are not good. Therefore, it is necessary for a prince, who wishes to maintain himself, to learn how to not to be good, and to use this knowledge and not use it, according to the necessity of the case.” -- THE PRINCE, Machiavelli
8) Examine the reoccurring pun on sun and son. How does this symbol work in the overall meaning of the play.
Other possible questions:
9) Was Ophelia pregnant with Hamlet’s child?
10) Did Hamlet slip into madness?
11) It is Hamlet who causes the downfall of Denmark.
12) What is the meaning of the pirates?
13) Is Hamlet Jesus Christ? How is Horatio either John the Baptist or an apostle.
14) Why or how is Denmark the Garden of Eden?
15) Gertrude knows about the murder?
16) The meaning of prostitution in Hamlet?
1) Polonius is sometimes played as a senile old fool, sometimes as a shrewd and worldly old man. Which interpretation do you agree with and why?
2) Pick one character who could, at some point, have changed the whole chain of events. Discuss.
3) Analyze the three appearances of the ghost seen in the play. Where did he appear; to whom did he appear? How does the third appearance differ from the first two? What is the significance of this?
4) Discuss the reasons for Hamlet’s apparent delay in seeking revenge for his father. What is your opinion regarding his procrastination?
5) Compare and contrast Hamlet, Laertes, and Fortinbras as avengers.
6) What is Hamlet’s attitude towards life and people? How does it affect his actions?
7) Apply the following quote to Hamlet: “A man who wishes to make a profession of goodness in everything must necessarily come to grief among so many who are not good. Therefore, it is necessary for a prince, who wishes to maintain himself, to learn how to not to be good, and to use this knowledge and not use it, according to the necessity of the case.” -- THE PRINCE, Machiavelli
8) Examine the reoccurring pun on sun and son. How does this symbol work in the overall meaning of the play.
Other possible questions:
9) Was Ophelia pregnant with Hamlet’s child?
10) Did Hamlet slip into madness?
11) It is Hamlet who causes the downfall of Denmark.
12) What is the meaning of the pirates?
13) Is Hamlet Jesus Christ? How is Horatio either John the Baptist or an apostle.
14) Why or how is Denmark the Garden of Eden?
15) Gertrude knows about the murder?
16) The meaning of prostitution in Hamlet?
Wednesday, 22 February 2012
Act IV
Act IV, Scene 1
1. What is Claudius' main fear in the immediate aftermath of Polonius' death?
Act IV, Scene 2
1. What does Hamlet refuse to tell Rosencrantz and Guildenstern?
Act IV, Scene 3
1. What image does Hamlet use (ll. 19-29) to warn Claudius he's only king temporarily?
2. Claudius ends the scene by writing a letter: to whom, and what order does it contain?
Act IV, Scene 4
1. What's the value of the land Fortinbras' army is marching to capture in Poland (l. 20)? What will the invasion itself cost (l. 25)?
2. Hamlet's soliloquy (ll. 32-66) is self-critical; summarize his main fault.
Act IV, Scene 5
1. Ophelia's songs during her first appearance in this scene deal with love, death and sex. Why? What do they tell us about her at the moment? What might they reveal about Her, Hamlet and Polonius?
2. Why is Laertes a danger to Claudius' throne (ll. 98-103)? (Actually two or three related reasons.)
3. What does Claudius offer as assurance that he had no part in Polonius' death (ll. 190-9)?
Act IV, Scene 6
1. Horatio receives a letter from Hamlet explaining how he escaped from Rosencrantz and Guildenstern. How did he?
Act IV, Scene 7
1. What reason does Claudius give Laertes for Hamlet's killing of Polonius (ll. 1-4)?
2. What are his two reasons for not charging Hamlet with murder (ll. 9-24)?
3. Claudius reveals that Laertes is famous for his skill with the rapier (a fencing weapon) and that Hamlet is envious of this fame.
4. How does Claudius plan to exploit this envy to give Laertes a chance for (publicly) guiltless revenge (ll. 126-38)?
5. How does Laertes refine the plan (ll. 138-147)?
6. What announcement does Gertrude make to end Act IV?
1. What is Claudius' main fear in the immediate aftermath of Polonius' death?
Act IV, Scene 2
1. What does Hamlet refuse to tell Rosencrantz and Guildenstern?
Act IV, Scene 3
1. What image does Hamlet use (ll. 19-29) to warn Claudius he's only king temporarily?
2. Claudius ends the scene by writing a letter: to whom, and what order does it contain?
Act IV, Scene 4
1. What's the value of the land Fortinbras' army is marching to capture in Poland (l. 20)? What will the invasion itself cost (l. 25)?
2. Hamlet's soliloquy (ll. 32-66) is self-critical; summarize his main fault.
Act IV, Scene 5
1. Ophelia's songs during her first appearance in this scene deal with love, death and sex. Why? What do they tell us about her at the moment? What might they reveal about Her, Hamlet and Polonius?
2. Why is Laertes a danger to Claudius' throne (ll. 98-103)? (Actually two or three related reasons.)
3. What does Claudius offer as assurance that he had no part in Polonius' death (ll. 190-9)?
Act IV, Scene 6
1. Horatio receives a letter from Hamlet explaining how he escaped from Rosencrantz and Guildenstern. How did he?
Act IV, Scene 7
1. What reason does Claudius give Laertes for Hamlet's killing of Polonius (ll. 1-4)?
2. What are his two reasons for not charging Hamlet with murder (ll. 9-24)?
3. Claudius reveals that Laertes is famous for his skill with the rapier (a fencing weapon) and that Hamlet is envious of this fame.
4. How does Claudius plan to exploit this envy to give Laertes a chance for (publicly) guiltless revenge (ll. 126-38)?
5. How does Laertes refine the plan (ll. 138-147)?
6. What announcement does Gertrude make to end Act IV?
Tuesday, 21 February 2012
More Study Questions for Act III
1) What does Claudius plan to do with Rosencrantz and Guildenstern and Hamlet?
2) What is Polonius going to do while Hamlet speaks with his mother?
3) List three important things about Claudius’ soliloquy.
a)
b)
c
4) Why is it odd that Hamlet sees the king praying?
5) Why doesn’t Hamlet take this opportunity for revenge?
Scene IV
1) Describe Polonius’ advice to Gertrude.
2) What is the significance of the following quote: “How now, a rat? Dead! For a ducat, dead!
3) What is odd about the following quote: A bloody dead; almost as bad, good mother, as kill a king and marry with his brother.
4) Why might Gertrude say, “What have I done, that thou dar’st wag thy tongue in noise so rude against me.”
5) What descriptions does Hamlet use to compare his father and his uncle?
King Hamlet
Claudius
6) What point does Hamlet make by comparing the men?
7) What is disturbing about the following: Nay, but to live in the rank sweat of an enseamed bed; stewed in corruption; honeying, and making love over the nasty sty.”
8) What stops Hamlet’s ranting and raving at Gertrude? What does this figure tell Hamlet?
9) By the end of the act, Hamlet has made many statements about humanity, in general. Explain a few of his points. Do his opinions reflect his madness.
10) Explain the differences between the ghost in Act I with the ghost in Act III. Why might these differences reflect Hamlet’s insanity?
2) What is Polonius going to do while Hamlet speaks with his mother?
3) List three important things about Claudius’ soliloquy.
a)
b)
c
4) Why is it odd that Hamlet sees the king praying?
5) Why doesn’t Hamlet take this opportunity for revenge?
Scene IV
1) Describe Polonius’ advice to Gertrude.
2) What is the significance of the following quote: “How now, a rat? Dead! For a ducat, dead!
3) What is odd about the following quote: A bloody dead; almost as bad, good mother, as kill a king and marry with his brother.
4) Why might Gertrude say, “What have I done, that thou dar’st wag thy tongue in noise so rude against me.”
5) What descriptions does Hamlet use to compare his father and his uncle?
King Hamlet
Claudius
6) What point does Hamlet make by comparing the men?
7) What is disturbing about the following: Nay, but to live in the rank sweat of an enseamed bed; stewed in corruption; honeying, and making love over the nasty sty.”
8) What stops Hamlet’s ranting and raving at Gertrude? What does this figure tell Hamlet?
9) By the end of the act, Hamlet has made many statements about humanity, in general. Explain a few of his points. Do his opinions reflect his madness.
10) Explain the differences between the ghost in Act I with the ghost in Act III. Why might these differences reflect Hamlet’s insanity?
Monday, 13 February 2012
January 13th
Work on AP Speeches.
Remember you'll be graded on FORM and CONTENT as well as speaking.
Please practice.
Remember you'll be graded on FORM and CONTENT as well as speaking.
Please practice.
Wednesday, 8 February 2012
Act 3 Study Questions
Act 3
Scene 1:
1. What do Rosencrantz and Guildenstern report to Polonius?
2. How does Claudius react when Polonius says, "…with devotion's visage, And pious action we do sugar o'er/ The devil himself"?
3. What plan do Polonius, Claudius and Ophelia now put into action?
4. What is the nature of Hamlet's soliloquy, lines 57-91?
5. What is Hamlet's main argument against suicide?
6. Why does Hamlet treat Ophelia as cruelly as he does? What has changed him?
7. What thinly veiled threat to Claudius does Hamlet voice, after he becomes of his hidden presence? (lines 148-150)
8. At the end of this scene, what does the King decide to do with Hamlet?
Scene 2:
9. What qualities in Horatio cause Hamlet to enlist his assistance?
10. What does Hamlet ask Horatio to do?
11. Summarize what happens in the play-within-a-play.
12. Why, in line 233, does Hamlet refer to the play-within-a-play as "The Mouse-trap"?
13. What is the King's reaction to the play?
14. In lines 354-363, to what object does Hamlet compare himself? Why?
15. As Hamlet goes to his mother at the end of this scene, what does he admonish himself to do?
Scene 1:
1. What do Rosencrantz and Guildenstern report to Polonius?
2. How does Claudius react when Polonius says, "…with devotion's visage, And pious action we do sugar o'er/ The devil himself"?
3. What plan do Polonius, Claudius and Ophelia now put into action?
4. What is the nature of Hamlet's soliloquy, lines 57-91?
5. What is Hamlet's main argument against suicide?
6. Why does Hamlet treat Ophelia as cruelly as he does? What has changed him?
7. What thinly veiled threat to Claudius does Hamlet voice, after he becomes of his hidden presence? (lines 148-150)
8. At the end of this scene, what does the King decide to do with Hamlet?
Scene 2:
9. What qualities in Horatio cause Hamlet to enlist his assistance?
10. What does Hamlet ask Horatio to do?
11. Summarize what happens in the play-within-a-play.
12. Why, in line 233, does Hamlet refer to the play-within-a-play as "The Mouse-trap"?
13. What is the King's reaction to the play?
14. In lines 354-363, to what object does Hamlet compare himself? Why?
15. As Hamlet goes to his mother at the end of this scene, what does he admonish himself to do?
Questions for Speeches
In retrospect, the reader often discovers that the first chapter of a novel or the opening scene of a drama introduces some of the major themes of the work. Write an essay about the opening scene of a drama or the first chapter of a novel in which you explain how it functions in this way.
Choose a complex and important character in a novel or a play of recognized literary merit who might on the basis of the character’s actions alone be considered evil or immoral. In a well-organized essay, explain both how and why the full presentation of the character in the work makes us react more sympathetically than we otherwise might. Avoid plot summary.
A recurring theme in literature is the classic war between a passion and responsibility. For instance, a personal cause, a love, a desire for revenge, a determination to redress a wrong, or some other emotion or drive may conflict with moral duty. Choose a literary work in which a character confronts the demands of a private passion that conflicts with his or her responsibilities. In a well-written essay show clearly the nature of the conflict, its effects upon the character, and its significance to the work.
The meaning of some literary works is often enhanced by sustained allusion to myths, the Bible, or other works of literature. Select a literary work that makes use of such a sustained reference. Then write a well-organized essay in which you explain the allusion that predominates in the work and analyze how it enhances the work’s meaning.
Select a line or so of poetry, or a moment or scene in a novel, epic poem, or play that you find especially memorable. Write an essay in which you identify the line or the passage, explain its relationship to the work in which it is found, and analyze the reasons for its effectiveness.
Choose a novel or play that depicts a conflict between a parent (or a parental figure) and a son or daughter. Write an essay in which you analyze the sources of the conflict and explain how the conflict contributes to the meaning of the work. Avoid plot summary.
In some works of literature, a character who appears briefly, or does not appear at all, is a significant presence. Choose a novel or play of literary merit and write an essay in which you show how such a character functions in the work. You may wish to discuss how the character affects action, theme, or the development of other characters. Avoid plot summary.
1998. In his essay “Walking,” Henry David Thoreau offers the following assessment of literature:
In literature it is only the wild that attracts us. Dullness is but another name for tameness. It is the uncivilized free and wild thinking in Hamlet and The Iliad, in all scriptures and mythologies, not learned in schools, that delights us.
From the works that you have studied in school, choose a novel, play, or epic poem that you may initially have thought was conventional and tame but that you now value for its “uncivilized free and wild thinking.” Write an essay in which you explain what constitutes its “uncivilized free and wild thinking” and how that thinking is central to the value of the work as a whole. Support your ideas with specific references to the work you choose.
1999. The eighteenth-century British novelist Laurence Sterne wrote, “No body, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in a contrary direction at the same time.”
From a novel or play choose a character (not necessarily the protagonist) whose mind is pulled in conflicting directions by two compelling desires, ambitions, obligations, or influences. Then, in a well-organized essay, identify each of the two conflicting forces and explain how this conflict with one character illuminates the meaning of the work as a whole. You may use one of the novels or plays listed below or another novel or work of similar literary quality.
One definition of madness is “mental delusion or the eccentric behavior arising from it.” But Emily Dickinson wrote
Much madness is divinest Sense- To a discerning Eye-
Novelists and playwrights have often seen madness with a “discerning Eye.” Select a novel or play in which a character’s apparent madness or irrational behavior plays an important role. Then write a well-organized essay in which you explain what this delusion or eccentric behavior consists of and how it might be judged reasonable. Explain the significance of the “madness” to the work as a whole. Do not merely summarize the plot.
2002. Morally ambiguous characters -- characters whose behavior discourages readers from identifying them as purely evil or purely good -- are at the heart of many works of literature. Choose a novel or play in which a morally ambiguous character plays a pivotal role. Then write an essay in which you explain how the character can be viewed as morally ambiguous and why his or her moral ambiguity is significant to the work as a whole. Avoid mere plot summary.
2005, Form B. One of the strongest human drives seems to be a desire for power. Write an essay in which you discuss how a character in a novel or a drama struggles to free himself or herself from the power of others or seeks to gain power over others. Be sure to demonstrate in your essay how the author uses this power struggle to enhance the meaning of the work.
A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. Select a novel or play and, focusing on one symbol, write an essay analyzing how that symbol functions in the work and what it reveals about the characters or themes of the work as a whole. Do not merely summarize the plot.
The big question of all of English literature: why does Hamlet delay so long in avenging his father's murder? We've offered some well-known critical theories, but who knows, maybe all those scholar people missed something. Give it a shot.
What is the role of theater within Hamlet? What is the purpose of the Hecuba speech, the play-within-the-play, and Hamlet's advice to actors? What practical purposes do theatrical moments serve in the plot? What symbolic purposes do they serve? Does theater "hold, as twere, a mirror up to nature" (3.2.2)?
Choose a complex and important character in a novel or a play of recognized literary merit who might on the basis of the character’s actions alone be considered evil or immoral. In a well-organized essay, explain both how and why the full presentation of the character in the work makes us react more sympathetically than we otherwise might. Avoid plot summary.
A recurring theme in literature is the classic war between a passion and responsibility. For instance, a personal cause, a love, a desire for revenge, a determination to redress a wrong, or some other emotion or drive may conflict with moral duty. Choose a literary work in which a character confronts the demands of a private passion that conflicts with his or her responsibilities. In a well-written essay show clearly the nature of the conflict, its effects upon the character, and its significance to the work.
The meaning of some literary works is often enhanced by sustained allusion to myths, the Bible, or other works of literature. Select a literary work that makes use of such a sustained reference. Then write a well-organized essay in which you explain the allusion that predominates in the work and analyze how it enhances the work’s meaning.
Select a line or so of poetry, or a moment or scene in a novel, epic poem, or play that you find especially memorable. Write an essay in which you identify the line or the passage, explain its relationship to the work in which it is found, and analyze the reasons for its effectiveness.
Choose a novel or play that depicts a conflict between a parent (or a parental figure) and a son or daughter. Write an essay in which you analyze the sources of the conflict and explain how the conflict contributes to the meaning of the work. Avoid plot summary.
In some works of literature, a character who appears briefly, or does not appear at all, is a significant presence. Choose a novel or play of literary merit and write an essay in which you show how such a character functions in the work. You may wish to discuss how the character affects action, theme, or the development of other characters. Avoid plot summary.
1998. In his essay “Walking,” Henry David Thoreau offers the following assessment of literature:
In literature it is only the wild that attracts us. Dullness is but another name for tameness. It is the uncivilized free and wild thinking in Hamlet and The Iliad, in all scriptures and mythologies, not learned in schools, that delights us.
From the works that you have studied in school, choose a novel, play, or epic poem that you may initially have thought was conventional and tame but that you now value for its “uncivilized free and wild thinking.” Write an essay in which you explain what constitutes its “uncivilized free and wild thinking” and how that thinking is central to the value of the work as a whole. Support your ideas with specific references to the work you choose.
1999. The eighteenth-century British novelist Laurence Sterne wrote, “No body, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in a contrary direction at the same time.”
From a novel or play choose a character (not necessarily the protagonist) whose mind is pulled in conflicting directions by two compelling desires, ambitions, obligations, or influences. Then, in a well-organized essay, identify each of the two conflicting forces and explain how this conflict with one character illuminates the meaning of the work as a whole. You may use one of the novels or plays listed below or another novel or work of similar literary quality.
One definition of madness is “mental delusion or the eccentric behavior arising from it.” But Emily Dickinson wrote
Much madness is divinest Sense- To a discerning Eye-
Novelists and playwrights have often seen madness with a “discerning Eye.” Select a novel or play in which a character’s apparent madness or irrational behavior plays an important role. Then write a well-organized essay in which you explain what this delusion or eccentric behavior consists of and how it might be judged reasonable. Explain the significance of the “madness” to the work as a whole. Do not merely summarize the plot.
2002. Morally ambiguous characters -- characters whose behavior discourages readers from identifying them as purely evil or purely good -- are at the heart of many works of literature. Choose a novel or play in which a morally ambiguous character plays a pivotal role. Then write an essay in which you explain how the character can be viewed as morally ambiguous and why his or her moral ambiguity is significant to the work as a whole. Avoid mere plot summary.
2005, Form B. One of the strongest human drives seems to be a desire for power. Write an essay in which you discuss how a character in a novel or a drama struggles to free himself or herself from the power of others or seeks to gain power over others. Be sure to demonstrate in your essay how the author uses this power struggle to enhance the meaning of the work.
A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. Select a novel or play and, focusing on one symbol, write an essay analyzing how that symbol functions in the work and what it reveals about the characters or themes of the work as a whole. Do not merely summarize the plot.
The big question of all of English literature: why does Hamlet delay so long in avenging his father's murder? We've offered some well-known critical theories, but who knows, maybe all those scholar people missed something. Give it a shot.
What is the role of theater within Hamlet? What is the purpose of the Hecuba speech, the play-within-the-play, and Hamlet's advice to actors? What practical purposes do theatrical moments serve in the plot? What symbolic purposes do they serve? Does theater "hold, as twere, a mirror up to nature" (3.2.2)?
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